Luann Payne

Published on Nov 23, 2017

Portrait in Jazz is an album by American jazz pianist Bill Evans, released in 1960. Personnel: Bill Evans (p) Scott LaFaro (b) Paul Motian (dr) Released: 1960 .

Portrait in Jazz is an album by American jazz pianist Bill Evans, released in 1960. Personnel: Bill Evans (p) Scott LaFaro (b) Paul Motian (dr) Released: 1960 . Bill Evans – Sunday at the Village Vanguard Released 2014-06-06 on Not Now Music Buy this album: 1. 00:00:00 Bill . Bill Evans Trio with Symphony Orchestra is an album by American jazz pianist Bill Evans and his Trio, released in 1966. The Bill Evans Trio is accompanied by a .

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Alexander Malofeev

Published on Jan 4, 2019

S.Rachmaninoff. Piano Concerto No.3 in D minor, Op.30. Soloist Alexandеr Malofeev (17 y.o.). Russian National Youth Symphony Orchestra

Conductor Dimitris Botinis. Tchaikovsky Concert Hall. 30/12/2018

Published on Jul 13, 2013

Sakari Oramo: Conductors – The BBC Symphony Orchestra

Rachmaninov: Rhapsody on a Theme of Paganini – BBC Proms 2013 (Stephen Hough : Piano


on Jun 5, 2018

This was inspired by two wonderful instruments – a Bechstein Upright and a Fazioli 2m80 grand one night at the Concert Hall of BA Trossingen, Germany. It is part of the Album “Felt on Strings” 2018 by Florian Sitzmann – find more information on


on Dec 5, 2011

Yitzhak Finnegan

With the Israeli Philharmonic Orchestra


Ashish Xiangyi Kumar

Published on Nov 5, 2015

It’s not easy to think of a composer who was Chopin’s match in writing miniatures, but Rachmaninoff at least comes very close. His preludes are marvels of textural innovation, harmonic imagination, gorgeous counterpoint (Rachmaninoff’s brilliance at counterpoint is really not noticed often enough), and lyricism in all its forms — bleak, sweeping, stark, doleful, lush. (Individual descriptions below.)

Lugansky’s performances are some of my favourites. I think of him as being for Rachmaninoff what Rubinstein was for Chopin. There’s nothing bloated or forced about his style, and it manages to find a perfect middle ground between harsh, steely banginess (a bit easy too easy to slip into with Rachmaninoff) and saccharine melodrama. The melodies are clear, the counterpoint well-formed, the tempi judicious, the musical peaks and troughs clear even in the densest passages. In some passages Lugansky also reveals a gift for startling coloration. With music as naturally rich as Rachmaninoff’s the result is a fantastic listening experience, completely bereft of the sense of weary struggle and stiffness you sometimes get.

1. Largo, F-sharp minor — 0:00 2. *Maestoso, B-flat major — 3:26. Lugansky’s performance is both thunderously exuberant and tightly controlled. The LH melodies in the middle section are impeccably outlined: 4:23 onward. 3. Tempo di minuetto, D minor — 6:53. Note the striking canonic passage with diminuition at 9:28. 4. Andante cantabile, D major — 10:27. Unorthodox harmonies scaffolding a simple but marvelous melody. 5. *Alla marcia, G minor — 15:04. Yet again, more striking counterpoint from 16:48 onward. 6. *Andante, E-flat major — 18:52. Note how carefully Lugansky parses the minor voices in an already contrapuntally dense prelude. E.g.: 20:15. 7. *Allegro, C minor — 22:04. One of Rachmaninoff’s best. Lugansky produces some stunning bell-like sounds [22:28] and dynamic changes [23:27]. 8. Allegro vivace, A-flat major — 24:28 9. Presto, E-flat minor — 27:41 10: *Largo, G-flat major — 29:27 This neglected prelude features some of Rachmanioff’s starkest and most beautiful counterpoint [31:35++] played with impeccable clarity, with some lovely harmonic turns and arpeggiation thrown into the mix [see e.g., 32:36++.]

Roderick Williams – Topic





Published on Sep 11, 2014




DUANE:   An emotionally rich performance; great clarity, perfect ensemble unity!



Published on Apr 6, 2017

S-VHS → PC 1st [0:27] 2nd [10:32] 3rd [14:58] 4th [22:18] Anne-Sophie Mutter [vn] Lambert Orkis [pf] 1989.12.9 Tokyo. Japan Live


Published on Apr 6, 2017

S-VHS → PC 1st [0:27] 2nd [10:32] 3rd [14:58] 4th [22:18] Anne-Sophie Mutter [vn] Lambert Orkis [pf] 1989.12.9 Tokyo. Japan Live


Jazz pianist with a radical improvisation style described as one of the most ‘incorrigibly sublime’ figures in the recent history of music 08 April 2018 |John Fordham | The Guardian “The maverick African-American jazz pianist and poet Cecil Taylor, who has died aged 89, gave an impression of constant motion and restless speed. He fused […]

via Obit: Cecil Taylor — Hawkins Bay Dispatch — Hipster Sanctuary


June 29, 2018


Published on Apr 25, 2008

Musica cubana tradicional (salsa). Homenaje a Elio Reve, fallecido musico cubano.Salsa Dance,Timba y Rumba

Published on Jan 31, 2016

Sergei Rachmaninoff – Étude-Tableaux, Op. 39 No. 5 in E-flat minor Piano: Evgeny Kissin



Saint-Saens Bassoon Sonata:



Published on Dec 19, 2016

Royal Concertgebouw Orchestra Chamber Soloists play Paul Hindemith. Bassoon Sonata (1938) – Helma van den Brinck, Bassoon; Sepp Grotenhuis, Piano;


Provided to YouTube by TuneCore Italian Summer (Piano and Violin) · Classical New Age Piano Music Classical New Age Piano and Violin Duets ℗ 2014 Records Released on: 2011-11-14



Published on Jan 23, 2013

Pianist magazine presents Graham Fitch’s in-depth piano lesson on Articulation and Phrasing. This lesson complements his full-length article inside Pianist No 70. The masterclass takes place on a Steinway Model D concert grand at Steinway Hall, London