Bela Bartok – Sonata for Two Pianos and Percussion, Sz. 110, BB 115 (1937) [Score-Video]

 

 

George N. Gianopoulos

Published on May 31, 2018

SUBSCRIBE 2.3K

Bela Bartok – Sonata for Two Pianos and Percussion, Sz. 110, BB 115 (1937) Sir Georg Solti & Murray Perahia, pianos Dame Evelyn Glennie and David Corkhill, percussionSupport this YouTube Channel: https://www.patreon.com/georgengianop…

 

Advertisements

Steve Reich Sextet – LSO Percussion Ensemble

 

London Symphony Orchestra

Published on Oct 3, 2016

SUBSCRIBE 59K

Steve Reich Sextet, performed by Neil Percy, Sam Walton, David Jackson, Antoine Bedewi, Philip Moore, Simon Crawford-Phillips Listen to Steve Reich’s music on Spotify’s composer focus playlist: http://spoti.fi/2dychdN Listen on Apple Music: http://geni.us/qBu9 Buy SACD from LSO Live store http://bit.ly/1TtSfAW ******************************************************************** Subscribe here for all the latest videos: http://radi.al/SubscribetoLSO Follow the LSO: Spotify http://spoti.fi/291cCk0 Apple Music http://geni.us/yH0sXY Instagram https://www.instagram.com/londonsymph… Facebook https://www.facebook.com/londonsympho… Twitter https://twitter.com/londonsymphony Website http://lso.co.uk/

Eastman Percussion Ensemble: Fandango 13

 

 

Third Coast Percussion – Haunt of Last Nightfall – David T. Little

thirdcoastpercussion

Commissioned and premiered by Third Coast Percussion, this 30-minute “ghost play in 2 acts” draws inspiration from experimental metal bands Sunn O))) and One Day as a Lion, American composer Lou Harrison, and the tragic events that took place in El Mozote, El Salvador on December 11, 1981.

Music by David T. Little
Performed by Third Coast Percussion
Lighting Design by Lee Keenan
Video and Audio Recording by Dan Nichols

Act One:

I. Curtain, El Mozote –
II. Between the Hammer and the Anvil –
III. Last Nightfall –
IV. Line Up / Face Down –
V. Coda: And there was evening…

Act Two:

VI. …and there was morning – the Second Day.-
VII. Smoldering Hymn –
VIII. Prayer (for No. 59) –
IX. Postlude: The Girl on La Cruz