Gary Ewer
Published on Jan 16, 2019

See Gary Ewer’s songwriting ebooks:….

And check out “The Essential Secrets of Songwriting” blog at

If you check out “Greatest Songs Ever” lists, you’ll almost always notice that the majority of the songs are there, at least in part, because of their excellent lyrics. In this video, we take a look at five characteristics of what makes a lyric great. You’ll learn about style of writing, emotional content, imagery, and much more. If you feel inspired to take your lyric writing to a higher level, start with the basics as described here in this video.

Brilliant Classics
Published on Apr 9, 2019

This album contains the complete Partitas by Bach, presented by Piano Classics, a label of Brilliant Classics.

Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play):… More Information:… Piano Classics Facebook:


Wikipedia: JS Bach: Keyboard Partitas

Art of Composing
Published on Sep 18, 2017

The two main theme types, the sentence and the period have somewhat different musical goals. In this episode, I talk about how I use them in my own composing.

Open Chord Voicings

May 15, 2019

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Published on May 14, 2019

Getting Started On The Piano (NEW free video series): ►

I’m going to show you how to take simple piano chords, and turn them into something beautiful. We’ll do this by using Open Chord Voicings. This is something that I’ve been playing around with only recently, and I am absolutely loving it! The concept is simple. You take a normal chord and re-shape it between the left and right hands. So all the notes are still the same, they are just being played in different positions than we normally play them. These tips will work with any chord and any chord progression because all we are doing is changing the order of the notes within the chord, not the notes themselves! Here are the timecodes for the video: – How to create an open chord – 0:21 – Tip #1 for voicing open chords – 0:56 – Tip #2 for voicing open chords – 2:04 – Tip #3 for voicing open chords – 3:02 If you want to learn more about chords and how to use them to play songs, check out our FREE series on chords: ► And make sure to follow us on social! ►Instagram: ►Facebook:


Published on Mar 26, 2019

Chord Hacks (free video series):

Arpeggios make the perfect left-hand accompaniment tool. Whether you are improvising or songwriting, or just need to waste some time at the piano, learning a few patterns with your left hand based on arpeggios will open up a whole world of possibilities for creating mood and energy in your music.

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Luann Payne

Published on Nov 23, 2017

Portrait in Jazz is an album by American jazz pianist Bill Evans, released in 1960. Personnel: Bill Evans (p) Scott LaFaro (b) Paul Motian (dr) Released: 1960 .

Portrait in Jazz is an album by American jazz pianist Bill Evans, released in 1960. Personnel: Bill Evans (p) Scott LaFaro (b) Paul Motian (dr) Released: 1960 . Bill Evans – Sunday at the Village Vanguard Released 2014-06-06 on Not Now Music Buy this album: 1. 00:00:00 Bill . Bill Evans Trio with Symphony Orchestra is an album by American jazz pianist Bill Evans and his Trio, released in 1966. The Bill Evans Trio is accompanied by a .

Inside the Score
Published on Apr 14, 2019

My Patreon:

Ramin Djawadi has proven to be a great world-builder of epic worlds, writing music for Game of Thrones and Westworld. This video explores Djawadi ‘s musical techniques for bringing the world of Game of Thrones to life. It discusses his leitmotifs, including the Stark theme, the Lannister theme – the Rains of Castamere – the Dragon music, the music for Jaqen Hghar. It also talks about how he paints musical locations for the Dothraki, the Wildlings, Braavos, and Meereen. It finally talks about music and silence, considering battles such as Hardhome, the Battle of the Bastards, and the fight with Brienne vs the Hound. Presented by Oscar Osicki

Maximize Your Orchestral Compositions – Understanding One Important Concept

Michael Patti
Published on Nov 5, 2018 Overcome the one trap that can keep your music sounding thin, substance-less and amateurish. For Educational Use Only.

Written by: Michael Barry Edited and Narrated by: Anthony Parnther



Thrilling performance!

Niklas H.


May 4, 2019

Composer’s Workshop – David Low – Cello

Inside the Composer’s Workshop: Whirlwind: From Sketch to Score

Composer’s Workshop – Dylan Hart – French Horn

ASCAP Film Scoring Workshop with Richard Bellis: An Inside Look

SIMPLE piano trick to make you sound ADVANCED: Stacking chords in fifths


Published on Oct 20, 2017

If you want to step up your piano skills, come in and learn this straightforward trick that produces an amazing sound: playing chords in fifths! This is so simple but sounds so good that everyone should know it. I’ll show you what this trick is about, demonstrate how it sounds and give you a neat way to practice it by playing the major scale in a way you’ve never seen before ;).

Complex Rhythms

May 3, 2019

Dave Pollack

The quarter note triplet is a rhythm that is consistently being played incorrectly by many people. In this video I show you an easy way to count and play it!

DUANE: While listening, please observe the manner in which small ideas expand into larger ideas within a chord progression; within a Form.

Jacob’s Piano

Published on Apr 7, 2019

🎹 Learn piano with flowkey ► 👍 Support me on Patreon ► 🎧 Spotify ►…

▼SHEET MUSIC + TRACK LIST▼ 00:00 ; Braveheart & Titanic | ; La La Land | ; Arrival of the Birds | ; Interstellar |

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Alexander Malofeev

Published on Jan 4, 2019

S.Rachmaninoff. Piano Concerto No.3 in D minor, Op.30. Soloist Alexandеr Malofeev (17 y.o.). Russian National Youth Symphony Orchestra

Conductor Dimitris Botinis. Tchaikovsky Concert Hall. 30/12/2018

High School Jazz Bands

April 28, 2019

(A=430hz ) – Interactive Intro – Orchestra standing – Playing entire score from memory

Bryan Barajas

Published on Jan 28, 2018

Bryan Barajas

Published on Dec 27, 2017

Andras Schiff: Prom 2017- Well Tempered Clavier- C=256hz.

Why C=256hz?

Original tuning at A=440Hz:…

From our Classical Renaissance webpage:…

“Since France has adopted a standard pitch, I advised that the example should also be followed by us; and I formally requested that the orchestras of various cities of Italy, among them that of the Scala [Milan], to lower the tuning fork to conform to the standard French one. If the musical commission instituted by our government believes, for mathematical exigencies, that we should reduce the 435 vibrations of French tuning fork to 432, the difference is so small, almost imperceptible to the ear, that I associate myself most willingly with this. It would be a grave, extremely grave error, to adopt, as proposed from Rome, a standard pitch of 450!!! I also am of the opinion with you that the lowering of the tuning in no way takes away the sonority or liveliness of the execution; but gives on the contrary, something more noble, of greater fullness and majesty that the shrieks a too high tuning fork could give. For my part, I would like a single tuning to be adopted in the whole musical world. The musical language is universal: Why then would the note which has the name ‘A’ in Paris or Milan have to become a B-flat in Rome?” -G. Verdi, 1881