November 9, 2014

the composer/arranger

It sounds like an attempt to spam the search results but please read on…

One of the features that causes the music of modern ‘masters’ to sound so fresh and different is the use of scales and chords that get away from the beaten track. Not only do they make use of unorthodox scales and their harmonies but they sometimes convert one into the other. At the risk of repeating myself, there are many hundreds of scales possessing 3, 4, 5 and six notes on each ‘root’. There are also 36 seven-unit scales including the familiar major and minor scales and their modal derivatives.

[In my opinion there is no such thing as a ‘diatonic’ scale. Music written where melodies and chords chiefly* use the notes of the scale in use (whatever scale it is – major, minor, modal, pentatonic, etc. etc….) is referred to as being ‘diatonic’, not…

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